Embracing Heritage: Art, Advocacy, and Identity Rediscovered
My name is Akingade Adeniyi Victor, an artist from lagos state, Nigeria. I make us of all materials gotten from wood for the creation of my sculpture especially papers. I’m honoured to share my journey of heritage, artistry, and advocacy. As I reflect on my experiences, I am reminded of the profound impact art and cultural identity have had on shaping my worldview.
Upon encountering the theme “Hear and Now” by Lucca Biennale cartasia for the artist open call on their Instagram page, I was filled with a profound sense of purpose. This theme resonated deeply with my passion for discussing the repatriation of African artefacts, looted by Colonial Masters. “Here and now” embodies the essence of understanding our past to shape our present and future.
As an African yearning to reconnect with my heritage, the absence of these artefacts presents a significant barrier. This sentiment is particularly poignant for someone like me, grappling with dyslexia and struggling to engage with written records. Despite these challenges, I am determined to explore and celebrate my cultural heritage.
Repatriating these artefacts goes beyond mere nostalgia; it is about reclaiming our identity and restoring dignity to our heritage. These relics are not merely objects; they are vessels of history, embodying African culture, traditions, and legacy. From intricately crafted attire to regal depictions of royalty, fashion, each piece narrates a tale of resilience and cultural vibrancy. Witnessing these artefacts in their physical form would enrich our understanding and inspire future generations to learn more about where they are form in Africa and embrace their roots.
Contemporary art offers a canvas for self-expression and exploration. Liberated from tradition, artists can unleash creativity and challenge norms.
My journey as an artist and making use of papers for my artwork began under my father’s guidance, a graphic artist whose mentorship ignited my passion for creativity. He makes use of papers to create his designs before bringing them to life on the printing machine. At a very young age I go to him to get papers to us to create artworks, some I used for drawings some I used for construction. When my dad notice that I like to create artworks he started putting me through on how to make my artworks better both in my drawings and construction with paper. Despite my dyslexia, I honed my craft at Yaba College of Technology, Lagos, Nigeria immersing myself in the rich tapestry of fine arts.
Paper symbolizes growth and transformation. Derived from trees, it serves as a metaphor for resilience, transforming from a humble sheet into intricate sculptures that tell stories of heritage and identity. Through my exploration of paper as an artistic medium, I have discovered new dimensions of expression and connection to my cultural roots.
The projects I am currently working on aim to spark discourse on Nigeria’s readiness to receive repatriated artefacts. Are our museums equipped to safeguard these treasures?
Are our Museums of good standard?
The Nigerian artefacts that are in some museums in Nigeria are there well taken care of?
The National Museum in Lagos Nigeria is it a good example of a museum?
Can we prevent exploitation and theft?
Additionally, as a dyslexic person I am deeply committed to advocating for awareness about learning disabilities, all around the world particularly in Africa and especially in my country Nigeria. Through my advocacy efforts, I aim to empower individuals with disabilities to embrace their potential and contribute meaningfully to society.
I developed my technique as an artist by studying making research and studying order paper artists such as Oliver Bertrand, Sebastian Blomqvist, Laurence Vallieres, James Lake, and Gurko Studio has been instrumental in refining my techniques and carving my artistic identity. Their innovative approaches to paper art have inspired me to push the boundaries of creativity and storytelling, and the freedom to create whatever I feel is meant to be created as really motivated me in the contemporary world.
I implore young people who are approaching art to find their voice and create authentically. Art has the power to reflect our true selves, challenge perceptions, and inspire change. By embracing our cultural heritage and celebrating diversity, we pave the way for future generations to reclaim their narratives and honour their ancestors.
In conclusion, my journey as an artist and advocate is an ongoing odyssey—fueled by passion, perseverance, and purpose. Through art, we transcend barriers, reclaim our narratives, and celebrate the richness of our cultural heritage. Let us honour our ancestors, celebrate our culture, and pave the way for a brighter future for all.
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